Tuesday, February 28, 2017

Boom Arts, Inc. Seeks Associate Managing Director

Boom Arts, Inc., a nonprofit performing arts presenting and producing organization located in Portland, Oregon, seeks a skilled, passionate performing arts administrator to serve as full-time Associate Managing Director. Founded in 2012, Boom Arts will conclude our fifth annual performance season in April 2017. By joining the organization at this exciting juncture, our Associate Managing Director will work closely with our founding Curator and Producer to help grow Boom Arts from vibrant arts start-up to indispensable cultural institution.

About Boom Arts
Boom Arts’ mission is to “imagine new social and political possibilities through live performance.” We’re motivated by a deep sense of purpose about the potential of socially relevant, artistically innovative global theatre and performance to activate our collective imagination, spark civic engagement, build cross-cultural bridges, and effect social and cultural change.

Through our annual season, Boom Arts invites diverse Portland metro area audiences to experience vital and timely plays and touring theatre and multidisciplinary productions by emerging and established theatre and performance artists from around the world—a majority of them women, and many from the Global South. We present 4-6 works annually, with runs of 2-10 ticketed public performances each, in traditional (mainly small black box theatre) and non-traditional venues around the Portland area. We deepen the impact of our presentations through audience enrichment and community outreach programs that engage local scholars, community leaders, and partner organizations.

Boom Arts’ offices are located in the Old Town/Chinatown area of downtown Portland.

Past projects are listed on our web site, www.boomarts.org.

About the Associate Managing Director Position
The Associate Managing Director will join Boom Arts as our second full-time administrative employee, and will report to the Curator and Producer. He or she will collaborate closely with the Curator & Producer and Board of Directors to help Boom Arts to thrive, grow, and operate effectively; to deepen our community presence, impact, and connections; and to continue to deliver high-caliber, artistically distinctive seasons of work. The successful candidate will bring development and marketing skills to help Boom Arts meet goals for increasing both earned and contributed income. He or she will help the organization to shape its path forward as we continue to build our Board and engage in a strategic planning process.

Areas of responsibility will include:
  • Fundraising/development, including work with individuals, corporations, government agencies, and foundations (40%);
  • Marketing, communications, and audience services, including annual and project-based marketing and communications, our online CRM, and Front of House (30%)
  • Finance/operations, including artist contracts and visas, budgeting, fiscal management, & grant compliance/reporting with support of Board treasurer & outside professional services (15%)
  • Strategic Planning & Board Relations (5%)
  • Program Evaluation (5%)
  • Other duties as needed (5%)
For this position, Boom Arts seeks an experienced arts professional who shares our values and supports our mission. The ideal candidate will:
  • Be a charismatic, flexible, and motivated self-starter 
  • Be comfortable engaging with diverse and international constituencies including artists, audiences, community groups, and supporters, and serving as a public face of the organization
  • Be comfortable commingling strategic thinking and leadership with execution of sometimes mundane tasks on an as-needed basis 
  • Be comfortable with the pace and demands of itinerant performing arts presenting
  • Be ready to collaborate closely with our founding Curator and Producer as well as our Board, Production Manager, and project-based teams. 
In addition to the above strengths, the ideal candidate will bring as much of the following as possible:
  • B.A. or higher plus 3-5+ years of professional arts administration experience (preferably with some experience in a nonprofit performing arts presenting organization of $1M+ budget size)
  • Demonstrated professional success in nonprofit fundraising/development, plus experience and/or training in a wide range of arts administration skill sets including marketing/communications, audience services, and finance/operations
  • Excellent interpersonal and written communications skills & cross-cultural competencies (might be demonstrated by past diversity training, fluency in multiple languages, your personal background as a first- or second- generation immigrant; etc)
  • Positive existing relationships in Portland, Oregon, within the local arts ecosystem (donors, institutions, artists, audiences, volunteers, etc) as well as culturally specific and social justice organizations
  • Familiarity with the basic landscape and terminology of the performing arts presenting & touring field in the US and abroad (or, as a secondary preference, the theatre producing field)
The Associate Managing Director is a full-time exempt employee. Salary range is $38-42,000, DOE, and benefits are limited but anticipated to become more competitive as the organization grows. We are unable to pay relocation expenses at this time. Boom Arts is an equal opportunity employer.

To be considered for this position, please send us an email with “AMD Search” in the subject line to applytoboomarts@gmail.com. Please address your 1-2 page cover letter to “To Whom It May Concern”, paste it into the body of your email, along with names and contact information for three references, and attach your resume as a PDF. This position is open until April 1st, with an anticipated start date of late April/early May 2017.

Tuesday, August 2, 2016

Boom Arts Announces 2 Intern Positions: Apply Now to Start in September!

Want to immerse yourself in contemporary world theatre? Are you passionate about helping the performing arts to connect with communities and make a social impact? Are you curious about what it takes, behind-the-scenes, to bring a whole season of provocative, relevant performance to Portland? 

Learn the ropes this year as a Boom Arts intern! Boom Arts, Portland's source for thought-provoking global theatre, seeks candidates to fill 2 new volunteer internship positions for the 2016-2017 academic year. Internships are 1 semester at minimum, 2 semesters preferred, with a weekly commitment of 5-10 hours plus attendance at at least 80% of public performances (see web site for exact dates and please confirm you can do this in advance of applying). Boom Arts' offices are in Portland's Pearl District and our venues are located around the city. All other details, including how to apply, are below.

Interning with Boom Arts gave me the opportunity to learn the ins and outs of producing locally while working with and learning from artists from all over the world. The chance to be an integral part of the team working on projects with both global and local impact was an invaluable experience personally and professionally.

-Devan Wardrop-Saxton, Intern 2014-2015

The internship with Boom Arts was full of real hands-on work in both running an arts non-profit and the theatrical production of relevant and international performance. I learned a lot about both of those things... Something I also enjoyed was that I got to meet and talk to great local, national and international artists.

-Marlon Jímenez-Oviedo, Intern 2015-2016

Please review the below opportunities and determine which opportunity would be the best fit for your strengths, interests, and skills. Then send in your application via email to info@boomarts.org.

(1) Marketing, Communications & Audience Services Intern
What you'll do: 
Help us get the word out about our performances, particularly through social media and direct community outreach. Prior to each show, you'll solicit and coordinate our volunteer ushers. At showtime, you'll help run front-of-house. 
Our ideal candidate:
We're seeking a friendly and skilled communicator who can transmit what's great about our programming to a wide and diverse audience. You should be fluent in social media and have talent for distilling ideas into tweets. You should feel comfortable speaking to diverse audiences-- the more languages you can speak, the better! 

(2) Documentation, Evaluation & Research Intern
What you'll do: 
Lead documentation efforts for Boom Arts projects using photo, video, and interviews. Implement project evaluation strategies like audience surveys; attendance tallies; liaising with peer evaluators; and drafting post-mortem reports. Conduct online research to support our fundraising, audience development, artistic programming, and community outreach efforts. 
Who's the best candidate:
We're seeking a curious and inquisitive researcher, preferably with theatre knowledge (aspiring dramaturgs take note!), who is also adept at turning research data into powerful narratives that show how our work makes a social impact. You should have access to, understanding of, and passion for using basic documentation gear (video, video editing software, camera). Please click here for an example of the kind of video documentation we will ask you to work on.

Please email your application to info@boomarts.org, with the title of the internship position you're applying for in the email subject line. Your email should include:
-- A 1-paragraph introduction about you, your interests, and what excites you about the idea of working with Boom Arts, including links to any relevant web sites or videos that can help us get to know you a bit better
-- 1 paragraph describing why you'd be a good fit for the position you're applying for, including your relevant skills and experience;
-- Confirmation that you will be able to attend 80% or more of Boom Arts' public performances during your internship period; and
-- Whether you'd like to apply for 1 or 2 semesters (2 semester applicants will be given priority)
We'd be happy to discuss college credit possibilities with you, although this is not guaranteed.

Thanks, and we look forward to hearing from you!

Wednesday, June 15, 2016

Story of an Urban Intervention

In April & May 2016, Boom Arts presented

TeatroSOLO (LONETheater) Portland, a creation of Argentine interdisciplinary artist Matías Umpierrez, consisted of five solo plays performed for one audience member at a time in five sites around the city of Portland, Oregon.

& view Mario Gallucci's stunning photographs, shot on location in Portland:

WITNESS (Testigo)
was performed on the Portland Streetcar by guest actress April Sweeney
SON (Hijo) 
was performed at Portland Tennis & Education in the St. Johns Racquet Center by actor Paul Susi

WISH (Deseo)* 
was performed at the offices of Watershed Communications in the Pearl District by actress Alex Leigh Ramirez

PORTRAIT (Retrato)
was performed at the Portland Art Museum by actress Nancy Ellis (not pictured; see below), &

MYTH (Mito) 
was performed at the Multnomah County Library's Central Library by actress Paige McKinney (not pictured; see below)
*World premiere pieces written just for Portland by Mr. Umpierrez

Nancy Ellis (L) and Paige McKinney (R) joined the cast of TeatroSOLO (LONETheater) Portland after the above photos had been taken:


And Steven Smith Teamaker provided in-kind supported the project by sponsoring the tea served in all performances of WISH (Deseo). Thank you!

Audiences shared their reflections on TeatroSOLO (LONETheater) in survey responses:

"The level of intimacy and inclusion created by the actor felt like it was created just for me."

"It's a completely different way to experience theater."

"It was such a quick jolt out of ordinary life."

"I absolutely loved it! it was such an emotional experience, so intimate and wonderful!" 


c3:initiative, an artist residency center in St. Johns neighborhood, was our primary producing partner for this project. In its gallery, c3:initiative hosted a first-ever photo exhibition on TeatroSOLO (LONETheater) and its seven global iterations, from its beginnings in the tiny Pyrenees town of Graus, Spain to the mega-urb of São Paolo, Brazil. The exhibition included photos from each city as well as Mr. Umpierrez' series of video trailers and subtitled footage of audience reactions from around the world. 

To offer context and bring community together around this unique project, Boom Arts and c3:initiative welcomed guests to free public programs inside the exhibition, which was on view from April 16-May 14, 2016. An artist talk with Mr. Umpierrez himself opened the exhibition: 
(L to R: Shir Ly Grisanti, Director, c3:initiative; artist Matías Umpierrez; and Ruth Wikler-Luker, Curator & Producer, Boom Arts)

A conversation between theatre artist and scholar April Sweeney, who joined us for the project from New York, and social practice artist Patricia Vazquez of Portland was a vital opportunity for audience members to reflect on their experiences:

And an Open House/Closing Reception, designed by Patricia Vazquez Gomez and held in conjunction with the St. Johns Bizarre (a neighborhood-wide fair) offered audiences a chance to connect with more of our TeatroSOLO artists and community partners:

As well as to participate in an interactive reflection exercise on the value of intimacy in today's world, created by Ms. Vazquez:

And to enjoy live music by Colectivo Son Jarocho de Portland:

And, later on the outdoor St. Johns Bizarre stage, Bajo Salario:

Thank you to everyone who participated-- artists, partners, audience members-- for being part of this unique project!

Boom Arts thanks project partners c:3initiative, Portland Art Museum, Portland Tennis & Education, and Watershed Communications, and in-kind sponsor Steven Smith Teamaker. 
This project was made possible with support from c3:initiative; Boom Arts Season Sponsor Ronni Lacroute, the Boom Arts Board, members of the Boom Arts Founding Circle, and many other supporters; and by grants from the Jubitz Family Foundation, the James F. and Marion L. Miller Foundation, Oregon Community Foundation’s Small Arts and Culture Program, Spirit Mountain Community Fund, Oregon Humanities (OH), a statewide nonprofit organization and an independent affiliate of the National Endowment for the Humanities, which funds OH's grant program.

Wednesday, March 16, 2016

Reflections on Free Outgoing

Essay by Marlon Jiménez Oviedo, Student at Lewis & Clark College/Boom Arts Intern

The artistic success and high audience engagement of Free Outgoing by Anupama Chandrasekhar validated Boom Arts' mission of bringing international theatre that speaks to and attracts diverse Portland audiences. Brilliantly directed by LA-based theatre artist Snehal Desai, the piece challenges clear distinctions between universal vs. local, and private vs. public. The play places the action in the living room of a three-person household in Chennai, India, but the themes of accessibility to digital information, adolescent sexuality and parenthood are issues most societies grapple with.

In this small orange living room, designed by Stephanie Kerley Schwartz, we witness how societal norms and personal morals collide as Malini tries to ‘salvage’ the lives she and her children have so diligently fought for. The non-forgiving society is represented by the school principal, the neighbors, the media and the crowds of people that invade Malini’s colony. Their presence and condemnation were palpable in the Studio Theatre of Lincoln Hall, due in great part to the stellar cast who made it impossible for the audience not to feel the extenuating pressure that Malini and Sharan experience throughout the play.

The main role (Malini) was played by Anna Khaja, whose performance can only be characterized as a feat. During the performance, Ms. Khaja carries all the weight of her children and of being a widow in a society that does not economize on ways to shame her daughters’ sexual act, while thousands of people continue to download the evidence in the form of a video. In one of the most striking moments, we see the shadow of Malini behind orange fabric as she pounds on the door of her daughter’s room, begging her to come out if she wants to do one thing right in her whole life. The audience, however, does not ever see her daughter (Deepa).

On the day I saw the performance, post-show guest speaker Priya Kapoor, Associate Professor of International Studies at Portland State University, discussed Deepa’s absence onstage as a clear symbol of how the victims of situations like the one depicted in the play are often the ones without a voice. Deepa does not get a chance to speak for herself, which is direct commentary on how girls’ and women’s bodies and sexuality continue to be seen and talked about through misogynist ideals. Boom Arts’ post-show discussions have become a hallmark of our productions, and they amplify our impact by offering audiences the chance to process and meaningfully discuss crucial issues in our society.

As we welcomed audience members on the third and fourth nights, we had a person come to ask if we still had tickets available, because a friend had told them that Free Outgoing was a must see. Fortunately, Boom Arts continues to present theatre that Portlanders should be excited to watch!

Thursday, February 4, 2016

Reflections on Noise in the Waters

Essay by Marlon Jiménez Oviedo, Student at Lewis & Clark College/Boom Arts Intern

The performance of Noise in The Waters achieved the magical thing of bridging geographical distance and fostering an empathic understanding of people in different continents. Directed by Cristi Miles, the one-man performance brought to life the images, confusion, risk and urgency experienced by African and Middle Eastern refugees as they attempt to cross the Mediterranean Sea under extremely precarious and life-threatening conditions.

The music by Ryan Anthony Francis placed us amidst overpowering and constant waves of sound, absorbing the audience into the world of the show. Similarly, the large scale video projections, by Stephen Miller, occupied the two lateral walls of the auditorium. These sea like video projections put us in an almost trapping atmosphere that rang true to the urgency and the tragedy of the text.

Actor Bobby Bermea skillfully played an Italian admiral, and also embodied many other characters as he told stories about the calamities these people went through during their fleeting to Europe. Bobby generously gave us an emotionally charged and personal look into the refugee crisis. It is refreshingly illuminating to go beyond the usual statistical reports of human lives in extremely difficult circumstances. The text, by Marco Martinelli/Teatro delle Albe (Ravenna, Italy) and translated by Thomas Haskell Simpson, does take us through a list of numbers (each number being a person, a refugee).  Yet, it breaks away from the numerical accounts when the audience gets to hear about how some of those individuals made it across the Mediterranean Sea. Many numbers, nevertheless, stay as impersonal characters or untold accounts that the records fail to tell us anything about. Throughout the piece, these numbers become an incessant reminder of all the lives that get lost in the sea waters.

Following its mission of producing work centered on the artist/audience encounter, Boom Arts organized a pre show lecture and a post show discussion. The pre show lecture, by Jamie Surface, doctoral candidate in the Public Affairs and Policy Program at Portland State University, provided the attendees with historical information regarding the roots and state of affairs of the current refugee crisis. This was then complemented by the personal accounts of two Mercy Corps workers who have worked in Greece in the last year, helping the refugees who make it to Europe. Mercy Corps has stations in different islands and at the coasts where they provide things such as meals, wifi and general information about how to get to different countries, where people are heading to in search of asylum. 

As we listened to these humanitarian workers, the Boom Arts program brought us even a step closer to this pressing humanitarian crisis. Many, including this author, could not hold in the tears in response. As an audience member commented, and I paraphrase, the program was the perfect combination of right and left brain activity. People reported learning new things and also having to contemplate on their role in the refugee crisis.

Wednesday, October 7, 2015

Preshow Music & Comedy Lineup for ASKING FOR IT

Curated by Jen Tam of Am I Right Ladies?, the Asking For It music & comedy preshow features distinctive female voices from Portland’s flourishing music and stand-up comedy scene! Performances begin each evening at 7:30pm (Asking For It starts at 8:30pm). Admission is included in your ticket. Preshow artists will include:

·    Thursday, October 15
Music by Haley Heynderickx
Comedy by Laura Anne Whitley
and Belinda Carroll

·    Friday, October 16
Music by Johanna Warren
Comedy by Dinah Foley
and Andie Main

·    Saturday, October 17
Music by Brannon Rockwell-Charland
Comedy by Dinah Foley
and Coor Cohen

·   Wednesday, October 21
Music by Oro Azoro
Comedy by Laura Anne Whitley
and Bri Pruett

·   Thursday, October 22
Music by Sara Renberg 
Comedy by Barbara Holm
and Bri Pruett

·   Friday, October 23
Music by LEO
Comedy by Whitney Streed
and Barbara Holm

·   Saturday, October 24
Music by Lucia Fasano
Comedy by Barbara Holm
and Coor Cohen

Tuesday, June 23, 2015

Boom Arts presented She is King, May-June 2015

Boom Arts' presentation of She is King was a major cultural event and community project rolled into one. Here is our story!

She is King kicked off with  Ball Kids workshops! Our local youth participants learned about Billie Jean King, feminism, how to work a real camera, and choreography for the show. For lunch: delicious sandwiches from Subway, our sponsor for the Ball Kids program!
Here are our Ball Kids! Team A and Team B together.
While our crew loaded in the set for the show into CoHo Theatre, historian Jan and her team installed original historical timelines (on 100 Years of Gender Equity in Oregon and on Billie Jean King) in our lobby, and volunteers Devan and Susan were putting up our special exhibition of archival NIKE posters.
When the Ball Kids got into the theatre, they participated in tech rehearsals with all the visiting artists.

Then it was showtime! The audience arrived, young and old, welcomed with a tantalizing menu of raffle prizes thanks to sponsors NIKE, Barre3, Title Nine, Big 5 Sporting Goods, the Rose City Rollers, the Fighting Fillies, & more! 

600 Portlanders saw She is King. Wow!

And Mary, Kim, & Sophie-- a Ball Kid whose ticket was purchased for her by a kind stranger at the last performance-- won the raffle, which benefited Boom Arts and Girls Inc. of the Pacific NW.

She is King was a hit! Here's what the critics wrote:

"a delightfully streamlined, deceptively simple look into the career of Billie Jean King...with none of the window dressing bloat of a biopic, or a more traditional play.
As King, the play's creator, Laryssa Husiak, mirrors her subject's words near-perfectly, and brings a warm, open energy to the role. The other actors—Gelb as James Day and King's ex-husband, Larry (yes, that one); and Louisa Bradshaw as her female TV interviewers—are uniformly stellar, and the cast is joined by five local girls between the ages of 10 and 16...
...I thought it would be good; I wasn't expecting it to be so funny....But it's important to point out that the laughs this show got were all at the deserved expense of sexist jerks. It's funny, yes, but there's an unmistakable undertone of bleak catharsis; this isn't broad comedy.
One of Boom Arts' distinctions is its regular inclusion of post-show talk-backs...but Boom Arts' spin on the format is refreshingly well curated...
If you've ever subscribed to a Title IX catalog... you should probably get out to see She is King before its short run ends this weekend. And if you have girl-children, you owe it to them to take them with you when you do."
-- Megan Burbank, Portland Mercury
"hilarious, maddening and heartbreaking at times...  a must-see, not only because the docuplay itself is brilliant and engages the audience from beginning to end, but because it highlights one of the world’s greatest living heroes." 

-- Shaley Howard, PQ Monthly

And here's what our audience wrote (excerpts from survey responses):

"Thank you for bringing thoughtful strong diverse visions of women to our community."
"This was a powerful and informative piece!"
"[The show found] the heart in recent history."
"LOVE women creating theatre! The TVs & the teens were great!"
"Compelling, well produced, interesting/pertinent talkback. Brava to all." 
"It was wonderful to see events in a social justice lens that happened prior to my birth and when I was a young girl."
"I had no idea who BJK was before this."
"Billie Jean King is history and strength."

Each performance was followed by a talkback with She is King artists (Laryssa Husiak in these photos) and special community guests, facilitated by Boom Arts' Ruth Wikler-Luker (also pictured).
Not pictured: June 5 NIKE panel; speakers listed below.

Full names/titles of all guests are posted at the bottom of this page.

Audio from these talkbacks will be posted soon HERE.

(L) Teri Mariani & Joni Huntley; (R) Danice Brown
Ball Kid Veronica McKay, Girls Inc.'s Elizabeth Nye, Rock N Roll Camp for Girls' Beth Wooten
Ann Schatz
Multnomah County Chair Deborah Kafoury

Sarah Mirk of Bitch Media, Lindsey Schnell of Sports Illustrated
Diana Cutaia, Fern Wilgus
Sandy Polishuk, Judith Arcana
Janice Dilg, Ann Mussey

On Sunday June 7, Dot Hearn and Kathryn Hughes live-interpreted She is King for our deaf & hard of hearing audience:

Between performance weekends, our visiting artists gave three offsite workshops-- at David Douglas HS (through Campfire Columbia) in East Multnomah County, at Portland After School Tennis & Education in St. John's, and at Outside In downtown.
L to R: actor Joshua William Gelb, creator/performer Laryssa Husiak, director Katherine Brook, actor Lousia Bradshaw

Thanks for a great run, Portland!

Photo credit: William Jenks.

                Boom Arts' presentation of She is King was generously sponsored by Don & Mary Blair and Harold Goldstein & Carol Streeter.  Major project support came from the Oregon Community Foundation, the Regional Arts & Culture Council, Work for Art, the Multnomah County Cultural Coalition, and the Oregon Cultural Trust. Talkback programming was made possible in part by a grant from Oregon Humanities (OH), a statewide nonprofit organization and an independent affiliate of the National Endowment for the Humanities, which funds OH's grant program. Fiscal Sponsor: CoHo Productions. In-kind Sponsors: Subway, Barre3, NIKE, Big 5 Sporting Goods, Title Nine, Portland Thorns, Fighting Fillies, Rose City Rollers. Community Partner: Girls Inc. of the Pacific NW. Boom Arts’ 2014-2015 Season was presented with major support from Ronni Lacroute and Harold Goldstein & Carol Streeter and leadership support from Boom Arts Founding Circle members Don & Mary Blair, Linda & Scott Andrews, Theo & Nancy Downes-Le Guin, Dania Caron, Lisa Donoughe, Fred & Cheryl Grossman, The Mancini Family, Lynn McDonald & Michael Edwards, Stanley & Susanne Penkin, Howard Shapiro, Matt & Gail Starr, Daniel Wikler & Sarah Marchand, & Anonymous; and champion support from Naomi Dagen Bloom and Ronald Bloom; Sandy Polishuk; Jennifer Schuberth & John Urang; Michael Cowan; Anonymous, & gifts in memory of Sandy Zickefoose. 

Special thanks to our visiting artists & Boom Arts team members for She is King
Laryssa Husiak, Katherine Brook, Josh Smith, Joshua William Gelb, Louisa Bradshaw, Molly Gardner, Soo Pak, Sam Pirnak, Jennifer Scanlon, Janice Dilg, William Jenks, Alice Whitaker, Devan Wardrop-Saxton & Susan Kevorkian, as well as all our volunteer ushers!

Special thanks to these individuals for going the extra mile for She is King in so many ways:
Boom Arts Board Members Cheryl Grossman, Harold Goldstein, Stanley Penkin, Lisa Donoughe, Mark Williams, & Tanya Selvaratnam; Mary & Don Blair, Lori Emerick, Rick Shannon; Tip Nunn & Billie Jean King; All Ball Kids' families!; Philip Cuomo, Jesse Drake, Teri Mariani, Ann Schatz, Diana Cutaia, Ron Boley, Matt Starr, Lauren Nichols, Hannah Treuhaft, David Kressler, Pat Young, Karin Marlborough, Elizabeth Nye, Leslie Nelson, Hannah Treuhaft, Paul Susi, Kelsey Tyler, Layton & Gene Borkan, Susan Feldman & Marc Labadie, Abel Weinrib & Carmen Egido, Danice Brown, Stephanie Haas, Sarah Delaney, Izzy Borris, Amanda Monahan, Portland Center Stage, Tim McGarry, Nikolas Hoback, Kaye Blankenship, James Mapes, Casi Pacilio, Ryan Collins, Ben Courtney, Elaine Lucius & Neil Baker, Terry Griffiths, Sandy Polishuk, Sacha Reich, Portland Playhouse, Artists Repertory Theatre, Creative Music Guild, Hand2Mouth Theatre, PICA, & Morgan, Julian, & Nadine Luker.

Special Guests for Post-Performance Discussions (many pictured above):  

May 28: Women Sports Trailblazers 

Teri Mariani (Former Softball Coach and Administrator, Portland State University) & Joni Huntley (Olympic Bronze Medalist)

May 29: Tennis in Portland 

Danice Brown (Executive Director, Portland After School Tennis & Education)

May 30: Women, Sports, & the Media I 

Ann Schatz (Broadcaster, Portland Thorns & PAC 12 Network)

May 31 (Matinee): Empowering Girls in Portland 

Elizabeth Nye (Girls Inc. of the Pacific NW) & Beth Wooten (Rock N' Roll Camp for Girls)

May 31 (Evening): Generations of Women Leaders in Oregon

Multnomah County Chair Deborah Kafoury

This performance was dedicated to the memory of Gretchen Kafoury

June 4: Women, Sports, & the Media II 

Sarah Mirk (Bitch Media) & Lindsay Schnell (Staff Writer, Sports Illustrated)

June 5: NIKE Employee Network Night

Maggie Gauger (VP/GM, Nike Global Tennis),

Monique Matheson (VP/Chief Talent & Diversity Officer, NIKE), &
Amy Montagne (VP/GM, NIKE Women/Women’s Training)

June 6: Title IX: How far have we come? 

Diana Cutaia (National Women’s Sports Advocate, Title IX Educator and Former Speaker for the Women’s Sports Foundation) &

Fern Wilgus (Competitive Sports Player Pre-Title IX)

June 7 (Matinee): History of Gender Equity Struggles in Portland I

Janice Dilg, (Historian, HistoryBuilt) & Ann Mussey (Retired Assistant Professor, Portland State University)

June 7 (Evening): History of Gender Equity Struggles in Portland II

Sandy Polishuk (Feminist Activist and Social Justice Oral Historian) & 

Judith Arcana (Writer/Scholar/Activist)